Lisa Paitz Spindler, Danger Gal

May 19

Music: Absolutely Still, Better Than Exra

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May 15

Danger Gal Friday: Number One

In light of the recent reboot of the Star Trek franchise with the release of J.J. Abrams’ new movie, this weeks’ Danger Gal Friday post profiles Number One, the original first officer of the Enterprise from The Original Series pilot “The Cage.”

number_oneNumber One was played by Majel Barrett, wife of Gene Roddenberry. Originally, Number One had also served as first officer under Christopher Pike on the USS Yorktown before joining him on the Enterprise. Network executives made several changes to the series after the original pilot, one of which included changing Barrett’s character to Nurse Chapel. Number One’s “highly-logical, steel-trap mind” was then attributed to Spock instead. I have few criticisms of the new Star Trek movie, and in fact very much enjoyed it, but one facet that saddened me was the continuation of the Nurse Chapel character without any reference to the Number One character. Initially, Spock was the science officer, but the new movie continues with the idea that he is both chief science officer and first or executive officer.

While I appreciated the update to Uhura’s character, I do hope that Abrams touches on the Number One character in future installments of the new franchise considering he’s also created characters such as Alias’ Sydney Bristow* and previous Danger Gal Fringe’s Olivia Dunham. Jennifer Weiner at The Huffington Post voices many of my misgivings with the female characters in the new movie:

Honestly, I didn’t have a problem until about midway through the film…at which point I realized that every single lady on screen was either a mother, a ho, or an intergalactic hood ornament.

Memory Alpha describes Number One: “. . . she held the rank of lieutenant. She was noted for her exceptional intelligence and rationality. In 2254, Captain Pike regarded Number One as the most experienced officer on the Enterprise.” Evidently, Roddenberry initially based the Starfleet rank structure on the 18th and 19th century British navy, when a ship’s second-in-command was often a First Lieutenant, rather than 20th century Naval ranks now associated with the series.

In “The Cage,” the Talosians reveal to Pike that Number One harbored feelings for him. Number One and Spock at one point installed computer upgrades that made the Enterprise voice-interactive. They utilized her voice-pattern, which was later carried over into all Starfleet computers.

Many different names have been associated with Number One in the Star Trek expanded universe: Eunice Robbins and Morgan Primus among others.

* I thought I’d already profiled Sydney Bristow, but when I searched the archives I discovered that I’ve neglected her! I’ll try to rectify that shortly.

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May 13

Star Trek’s Reboot Seeks Out New Life, New Civilizations, New Audiences

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kirk_spock

I have a new post up at my Writers At Play group blog about the new Star Trek movie. It includes a great quote from Lou Anders, Editorial Director of Pyr, on how this new accessible Trek can influence Science Fiction in general.

Here’s one of the points I make in the article:

As a fan of all things Science Fiction, I hope the new Star Trek movie not only introduces the genre — both in TV/movie and book formats — to a new audience, but I also hope the new audience realizes that Science Fiction is as much about the characters as it is about science. This, to me, tears down the stereotype that “SF is geeky, niche, and ‘for losers’” — and certainly not only for teenage boys. At the core of Star Trek are the relationships of its characters, of the various friendships that have sustained Kirk, Spock, and the entire crew through many challenges. Spock notes this in the new movie when he meets the young Kirk and tells him: “I have been and always shall be your friend.” This kind of character-driven engine of the story should strike a cord with Romance readers since a defining feature of Romance is that relationships influence character.

Read the rest of the article.

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